Tuesday, November 17, 2009

The “Hit” Song Checklist

 © I.Woloshen

***All of Irene’s songwriting tips are provided for FREE…beware of those giving advice for money!***

Okay, folks, you think you’ve just written a “hit”…your heart is pumping, your palms are sweaty, you’re suddenly seeing dollar signs and imagining yourself winning the Songwriter of the Year award ðŸ™‚

Could it be possible? Could you have just written yourself a hit song? Isn’t it a great feeling? Enjoy it, crack open the champagne…and then consider the following checklist. These are some thoughts and ideas on what kind of process you should put your song through before you put that imaginary award statue on your desk ðŸ™‚

1. Has anyone else heard it yet? Who should listen to it? Not your best friend (unless your best friend already has a hit under his/her belt!), not your family, not your dog. If you really want some honest feedback, consider presenting it to a songwriter‘s circle if you have or can find one. Make sure at least 10 other people who have no bias towards you, have a listen. Why 10? That’s just a number I pulled out of a hat ðŸ™‚ However, the more who listen, the better you’ll be able to discern if there are any problems with the song.

2. Did you work on re-writing it? There are very few songs that come out “perfectly” the first time. Most need to be polished at least a little so they’ll really shine. I can’t tell you how many songwriters I’ve come across who swear that touching up a song after it has been written will “ruin” it. Arrgghh…

3. If you are writing for yourself as a performing artist, you can skip this one. Can anyone else sing your song? If you know somebody who sings, try and teach them the song and see what happens. Do they trip over certain parts? Is it really “singable”? Remember, if you’re trying to market your songs, then they have to work for other voices and other vocal styles.

4. Here’s a really good idea which will give you some objectivity. Record the song, even if only on a little digital recorder. Then walk away from it for a week. Don’t let yourself even THINK of it, block it from your thoughts entirely. When a week is up, go back and have another listen. Does it strike you the same way? Or is it just a turd? ðŸ™‚ Giving it a week is a very small investment in time, especially if you’re considering spending a whole whack of cash to demo it.

The “best” songs don’t necessarily become hits. It’s a LOT more complicated than that. However, you have a much better chance of peaking a publisher, record label or artists’ curiosity if you have a really well-written, well-produced song to present them. Can you judge if you’ve written a hit? You might have a really good feeling about a song…but none of that matters if no one ELSE has a really good feeling about it. So give it time, don’t get ahead of yourself, go through some steps to see if it stands up. And call me when your first royalty cheque comes in ðŸ™‚

IJ

Genres – Some Definitions

 

© I.Woloshen

(Note: This is NOT meant to be a complete list of all genres, just an example of some, so don’t be offended if I leave your favourite one out!)

Ever been asked “what kind of songs do you write?” Don’t you just hate that? Okay, maybe hate is the wrong word, but it sure is difficult sometimes to sit down and define your style. Many people use known artists to help others get an idea of what their songwriting style is, but quite often these known artists simply define the sound of how someone sings or plays their instrument rather than defining a style of music.

We all pretty much know what rock is, or folk or pop. These are relatively straightforward genres. But most songwriters are influenced, whether they know it or not, by many others before them, and that leads to sub-genres and mixtures of genres that are harder to describe.

Maybe you are really special and have created a whole new style of music! Chances are, though, that your music is also defined by the artists and bands that came before you. This is not a defeat…musical styles exist and thrive because people like to hear them! This article may not answer all of your questions, but a little research on your own will teach you a few things about where your music is coming from.

First of all, here is a list of main genres:

Alternative | Indie | Punk | Blues | Jazz | R& B/Soul | Classical | Latin | Reggae | Country | Lounge/Easy Listening | Rock | Dance | Metal | Roots | Electronica | New Age | Soundtracks | Folk | Oldies | Trad. Pop | Hip-Hop/Rap | Pop | World

Although they are considered to be at the root of all of the other styles, each of these genres came from somewhere else! Even Electronica and Hip Hop, the sounds of which are more defined by technology, have their roots. Reggae, which originally came from artists like Bob Marley out of Jamaica, is rumoured to have come from Jazz. I think a little too much ganja may have had something to do with that ðŸ™‚

Okay, let’s start with the more obvious genres:

Rock has many, many sub-genres…everything from adult rock to classic rock to folk rock. Originally, rock was actually rooted in the blues, following similar chord progressions and patterns. Classic rock artists from the Beatles to Pink Floyd, Doobie Brothers to Aerosmith, show just how diverse rock became within a very short period of time. The 70’s was considered the “Golden Age” of rock and today’s alternative and indie music are each an offshoot of rock with their own sub-genres. According to the MSN Music Webpage these are some sub-genres of rock:

Adult Rock | American Traditional Rock | Arena Rock | Blue-Eyed Soul | Bluesy Rock | Boogie Rock | British Folk Rock | Classic Rock | Country Rock | Country Rock Soul | Folk Rock | Glam Rock | Heavy Rock | Jam Bands | Orchestral Pop | Pop Progressive Rock | Power Pop | Progressive Rock | Psychedelic | Rock and Roll | Rock Soul | Rockabilly Revival | Soft Rock | Southern Rock | Surf Revival | Theatre Rock | Tin Pan Alley Pop

Beyond this, we have a number of other main genres. Pop is certainly a significant style, although it has changed over the years. It was originally born from the word popular, and really wasn’t defined by anything other than what most young people listened to at the time! Frank Sinatra would have been considered pop in his hey day, but today, Nellie Furtado is what you would think of as a mainstream pop artist. As you can see their styles are quite different, and Frank Sinatra’s music is now considered either easy listening, nostalgia or traditional pop. These days, pop is defined by a very contemporary sound and often simplistic lyrics and usually has a younger audience. Pop/Rock is where the majority of artists classify their songs, and is almost always the largest category in any online music website.

Alternative is also a difficult style to pinpoint. Originally, alternative music seemed to be a return to hard rock with it’s hard driving, often frantic pace. Grunge, or the Seattle sound begun by bands such as Nirvana was associated with alternative as well. But now we find that Indie comes closer to that definition. Arrgghh!!! To me, each of these genres doesn’t define a “sound” as much as an attitude…yeah, that sounds more like it ðŸ™‚

You’ll find the following styles associated with alternative:

’80s Modern Rock | Adult Alternative Pop/Rock | Alt. Hard Rock | Alternative Pop/Rock | Britpop | Goth Rock | Modern Psychedelic | New Wave | Quirk Rock | Space Rock/Dream Pop | Third Wave Ska Revival/Ska Punk

How confusing can it be?? ðŸ™‚ So let’s move on to something just as arguably indefinable, country. You’ll hear all kinds of discussions about country and what it is or should be! Twenty years ago when I went into a recording studio with my acoustic guitar, the studio engineers called me country. They hadn’t even heard my songs, yet because I had an acoustic guitar, that automatically made me a country artist! Country & Western was what I assumed country music to be, including artists like Hank Snow, George Jones and Patsy Cline. But in the last 10 or 15 years, it has also branched off into many directions. When country became more “mainstream” or more populist, the pop sound started to invade the more traditional sound of country music. Now you’ll find many different branches of this genre as well:

Alternative Country | Alternative Country Rock | Bluegrass | Country Folk | Country Pop | Fusegrass | Honky Tonk | New Contemporary Country | Outlaw Country | Progressive Country | Traditional Country | Western Swing

Country/Pop, contrary to what you might think, began back in the 50’s and was originally dubbed the “Nashville Sound” and included artists such as Willie Nelson, Kitty Wells, Crystal Gayle and Kenny Rogers. Today, groups and artists like the Dixie Chicks, Tim McGraw and Kenny Chesney are country stars, incorporating a “pop” sound in their music.

So is there any genre left in its pure state? I suppose the argument could be made that the only western “traditional” music left is classical and Native Indian! A recent PBS series by Ken Burns on blues music, showed how even it originally came from the slaves in Africa who chanted hymns and made up working songs as they worked long, hard hours for American slave owners. But the blues is considered by many to be American in its roots.

Occasionally, you’ll hear the term crossover which means that a song could be considered in more than one genre. This is particularly applicable to ballads…a country version and a rock version of the same ballad could be hits for different artists. The only elements that would separate them would be the arrangement and instrumentation!

The fact is that your music is often defined by the artists you were influenced by. Although it can feel like defeat to have to describe your music by naming more famous artists and bands, it really has a purpose! Most people want to know what they can expect from you as a songwriter or an artist, so don’t resent this requirement too much. Many of us write in more than one style too! As a songwriter, this can certainly work in your favour when you are trying to pitch to different publishers and artists. As an artist, it means you are diverse!

Don’t be adverse to the idea of studying genres in order to better define what yours is (or are!). I’ve heard many artists or bands who try to create a NEW genre just to make themselves stand out, only to find that they sound exactly like someone else! As an artist you can get away with this in your promotional material as a way to create a buzz for yourself, but as a songwriter, you will have to fit in more with traditional genres. As Bruce Hornsby says “That’s just the way it is…” ðŸ™‚

IJ


The Pain of Separation – Separating Your SELF from Your Work

 

© I.Woloshen

When someone asked me recently “of all of the songs you’ve written, which is your favourite?”, it got me to thinking about that age old idea “well they’re ALL my babies” and it’s hard to choose just one. I have different reasons for liking different songs…some of them are more fun to perform, some of them I enjoy to listen to in terms of how they were recorded. In spite of this, sometimes your “best” work just doesn’t cut it for others. I recently saw an interview with an author who had had some criticism of one of his novels. When he went back to read it again, he thought to himself “No, this is exactly the book I wanted to write.” It wasn’t a case of disagreeing with his critique so much as it was deciding that he had accomplished what he set out to do, and beyond that, he had no control of what others thought of his work.

When you begin the process of writing a song, very often your immediate reaction to it is “this is the greatest song I’ve ever written!!” Of course, you’re SUPPOSED to be enthused and fired up about what you are doing, otherwise, why bother? But sometimes you’ll notice that the day after, it just doesn’t seem to be as good a song as you thought ðŸ™‚ This is something called “objectivity”. In the opposite state, subjectivity, you are unable to separate yourself from your work. This is a necessary state in order for you to accomplish your task. Songwriting, in its purest form, is your expression. It can often be a very personal expression, right from your gut. In a sense, your song is “you”.

But there comes a time when you have to separate yourself from your songs in order to fully accomplish the task of polishing them and putting them in front of others to scrutinize. This is a step that is only successful when you have also managed to let go of their personal connection to you, which is not so easy to do.

We all have our favourites of our own songs, the ones we love to play and hear, as I was describing above. So I’m not suggesting that you lose touch with your songs entirely! However, I find that a lot of songwriters become defensive and thin-skinned when their songs are critiqued or reviewed by people who are listening from a very objective viewpoint. This is because the songwriters haven’t managed to create that separation yet. So how exactly do you accomplish this? It is not at all easy to put in a nutshell! Every one of your songs has your name attached to it, and it’s impossible to completely disconnect from that fact. But there are some things that you can do to help this process.

Time – this is a very important factor when learning to be more objective about your work. Just as when you wake up the day after writing something and suddenly hear it with new “ears”, the idea of giving your song a little time and distance can help you to disconnect from the personal aspects of it. I’m very aware of the the fact that songs I’ve written at one point in my life that meant something then, don’t necessarily hit me the same way anymore. That’s because my life has moved on, but the song is in a time capsule and only represents that little point in my life. Which brings me to the next point…

Emotional Distance – you are not “static”…as a human being, you are always changing and (hopefully!) growing. Think of your songs as a snapshot. When you look at a picture of yourself taken yesterday, you are likely much more attached to it than you are a picture that was taken a couple of years ago. This is because “you” were a different person a couple of years ago! Your songs are exactly the same.

The Percentage Factor – do yourself a big favour and learn to embellish the “truths” in your songs with some “fiction”. Don’t make your songs 100% ABOUT YOU. For the songs you can’t help doing that with, put them in your closet and work on writing something else. Why? Because you wouldn’t let anyone else read your diary, would you? This is a kind of emotional maturity you can develop over time in your writing. There are the ones you will write for you, and the ones you will write for the public to consume. Recognizing which is which will help you in many ways!

Talk To Yourself – I don’t mean out loud (unless you are alone, of course!). We all have that little “voice” inside us that reasons everything out, and the one that is childish and emotional. Choose to listen to the reasoning voice. If you are hearing or reading someone’s response to your song and it is negative, tell yourself that they are not criticizing you, but your song. Tell yourself that you’ll learn from this experience. Listen for INFORMATION that might be helpful to you in order to make the song better. If the criticism is totally unreasonable (like “this song sucks!”), be like the author who decided for himself that he had written exactly what he wanted to, and that he has no control over others opinions.

The longer you write, the more capable you will be of accomplishing just the right degree of separation. Your songs will ALWAYS be yours, but they will also be able to hold their own without you ðŸ™‚

IJ