Tuesday, November 17, 2009

Song Contests – One Opinion

 

© I.Woloshen

I’ve entered a few contests in my time, the most recent one being the USA Songwriting Competition a few years back. I’ve heard different opinions about them both from other songwriters and from people in the business. There is absolutely nothing wrong with entering a songwriting contest, so don’t expect me to completely blast them! However, I do think you have to take a few things into consideration.

First of all, if you are expecting something from a contest, well, it’s a little bit like buying a lottery ticket, in that all you really find out is that you haven’t won ðŸ™‚ Very few songwriting competitions offer anything more than a chance to win. There is rarely any feedback from your songs, or calls from “interested” parties as is sometimes implied when they say “industry professionals will be listening to your song” or something in that vein.

Most of the time, contests are judged by a group of people who are listening to piles and piles of tapes and who can’t possibly have any objectivity left after such a long haul! So the good news is that losing doesn’t necessarily mean your song sucks ðŸ™‚

This is something else I’ve heard from a couple of publishers, first hand. They tend not to pay any attention at all to a songwriter who claims to have won a contest! In fact, it often deters them! Why? Because winning a contest really doesn’t mean anything to people who are in the business. A “win” is a very relative thing and left to the discretion of the people choosing the songs. Another point is that some songwriters believe that winning a contest means they’ve got a hit on their hands, and it often goes to their heads. Publishers don’t want to work with a songwriter who believes he/she is already THERE in terms of their songwriting ability…they want to work with someone who can be flexible and open to their suggestions.

Some contests offer the winner(s) a chance at a publishing deal. Big deal! All that means is that your song gets signed with a publisher, it does not guarantee that the publisher will be able to place that song with an artist, or even want to. A single song deal means nothing unless somebody actually cuts your song.

On the other hand, there are some contests in conjunction with festivals that I would consider a benefit in terms of boosting your career. These involve the winner having an opportunity to perform their songs in front of an audience, especially at a songwriting camp or event, and would be an excellent way for you to introduce yourself to an audience and an industry. There are well-established events that hold these contests annually and that have a very positive reputation in terms of what they do for songwriters.

If you approach the idea of entering a contest for fun, rather than for furthering your career, you’ll have a healthier outcome. Consider an online poll conducted by Music Dish Industry e-Journal in the Spring of 2001. Songwriters were asked “How would you rate your experience with songwriting contests in furthering your songwriting career?” These are the results:

23% had no experience with contests
9% were very satisfied
11% were satisfied
17% thought it was adequate
18% were dissatisfied
22% were very dissatisfied

Before you enter a songwriting contest, considering putting that entry fee towards joining an organization that really CAN help you, such as NSAI (Nashville Songwriters Assoc. International). These people will listen to your song and give you real feedback, which is what you should really be focusing on!

IJ

The “Hit” Song Checklist

 © I.Woloshen

***All of Irene’s songwriting tips are provided for FREE…beware of those giving advice for money!***

Okay, folks, you think you’ve just written a “hit”…your heart is pumping, your palms are sweaty, you’re suddenly seeing dollar signs and imagining yourself winning the Songwriter of the Year award ðŸ™‚

Could it be possible? Could you have just written yourself a hit song? Isn’t it a great feeling? Enjoy it, crack open the champagne…and then consider the following checklist. These are some thoughts and ideas on what kind of process you should put your song through before you put that imaginary award statue on your desk ðŸ™‚

1. Has anyone else heard it yet? Who should listen to it? Not your best friend (unless your best friend already has a hit under his/her belt!), not your family, not your dog. If you really want some honest feedback, consider presenting it to a songwriter‘s circle if you have or can find one. Make sure at least 10 other people who have no bias towards you, have a listen. Why 10? That’s just a number I pulled out of a hat ðŸ™‚ However, the more who listen, the better you’ll be able to discern if there are any problems with the song.

2. Did you work on re-writing it? There are very few songs that come out “perfectly” the first time. Most need to be polished at least a little so they’ll really shine. I can’t tell you how many songwriters I’ve come across who swear that touching up a song after it has been written will “ruin” it. Arrgghh…

3. If you are writing for yourself as a performing artist, you can skip this one. Can anyone else sing your song? If you know somebody who sings, try and teach them the song and see what happens. Do they trip over certain parts? Is it really “singable”? Remember, if you’re trying to market your songs, then they have to work for other voices and other vocal styles.

4. Here’s a really good idea which will give you some objectivity. Record the song, even if only on a little digital recorder. Then walk away from it for a week. Don’t let yourself even THINK of it, block it from your thoughts entirely. When a week is up, go back and have another listen. Does it strike you the same way? Or is it just a turd? ðŸ™‚ Giving it a week is a very small investment in time, especially if you’re considering spending a whole whack of cash to demo it.

The “best” songs don’t necessarily become hits. It’s a LOT more complicated than that. However, you have a much better chance of peaking a publisher, record label or artists’ curiosity if you have a really well-written, well-produced song to present them. Can you judge if you’ve written a hit? You might have a really good feeling about a song…but none of that matters if no one ELSE has a really good feeling about it. So give it time, don’t get ahead of yourself, go through some steps to see if it stands up. And call me when your first royalty cheque comes in ðŸ™‚

IJ

Genres – Some Definitions

 

© I.Woloshen

(Note: This is NOT meant to be a complete list of all genres, just an example of some, so don’t be offended if I leave your favourite one out!)

Ever been asked “what kind of songs do you write?” Don’t you just hate that? Okay, maybe hate is the wrong word, but it sure is difficult sometimes to sit down and define your style. Many people use known artists to help others get an idea of what their songwriting style is, but quite often these known artists simply define the sound of how someone sings or plays their instrument rather than defining a style of music.

We all pretty much know what rock is, or folk or pop. These are relatively straightforward genres. But most songwriters are influenced, whether they know it or not, by many others before them, and that leads to sub-genres and mixtures of genres that are harder to describe.

Maybe you are really special and have created a whole new style of music! Chances are, though, that your music is also defined by the artists and bands that came before you. This is not a defeat…musical styles exist and thrive because people like to hear them! This article may not answer all of your questions, but a little research on your own will teach you a few things about where your music is coming from.

First of all, here is a list of main genres:

Alternative | Indie | Punk | Blues | Jazz | R& B/Soul | Classical | Latin | Reggae | Country | Lounge/Easy Listening | Rock | Dance | Metal | Roots | Electronica | New Age | Soundtracks | Folk | Oldies | Trad. Pop | Hip-Hop/Rap | Pop | World

Although they are considered to be at the root of all of the other styles, each of these genres came from somewhere else! Even Electronica and Hip Hop, the sounds of which are more defined by technology, have their roots. Reggae, which originally came from artists like Bob Marley out of Jamaica, is rumoured to have come from Jazz. I think a little too much ganja may have had something to do with that ðŸ™‚

Okay, let’s start with the more obvious genres:

Rock has many, many sub-genres…everything from adult rock to classic rock to folk rock. Originally, rock was actually rooted in the blues, following similar chord progressions and patterns. Classic rock artists from the Beatles to Pink Floyd, Doobie Brothers to Aerosmith, show just how diverse rock became within a very short period of time. The 70’s was considered the “Golden Age” of rock and today’s alternative and indie music are each an offshoot of rock with their own sub-genres. According to the MSN Music Webpage these are some sub-genres of rock:

Adult Rock | American Traditional Rock | Arena Rock | Blue-Eyed Soul | Bluesy Rock | Boogie Rock | British Folk Rock | Classic Rock | Country Rock | Country Rock Soul | Folk Rock | Glam Rock | Heavy Rock | Jam Bands | Orchestral Pop | Pop Progressive Rock | Power Pop | Progressive Rock | Psychedelic | Rock and Roll | Rock Soul | Rockabilly Revival | Soft Rock | Southern Rock | Surf Revival | Theatre Rock | Tin Pan Alley Pop

Beyond this, we have a number of other main genres. Pop is certainly a significant style, although it has changed over the years. It was originally born from the word popular, and really wasn’t defined by anything other than what most young people listened to at the time! Frank Sinatra would have been considered pop in his hey day, but today, Nellie Furtado is what you would think of as a mainstream pop artist. As you can see their styles are quite different, and Frank Sinatra’s music is now considered either easy listening, nostalgia or traditional pop. These days, pop is defined by a very contemporary sound and often simplistic lyrics and usually has a younger audience. Pop/Rock is where the majority of artists classify their songs, and is almost always the largest category in any online music website.

Alternative is also a difficult style to pinpoint. Originally, alternative music seemed to be a return to hard rock with it’s hard driving, often frantic pace. Grunge, or the Seattle sound begun by bands such as Nirvana was associated with alternative as well. But now we find that Indie comes closer to that definition. Arrgghh!!! To me, each of these genres doesn’t define a “sound” as much as an attitude…yeah, that sounds more like it ðŸ™‚

You’ll find the following styles associated with alternative:

’80s Modern Rock | Adult Alternative Pop/Rock | Alt. Hard Rock | Alternative Pop/Rock | Britpop | Goth Rock | Modern Psychedelic | New Wave | Quirk Rock | Space Rock/Dream Pop | Third Wave Ska Revival/Ska Punk

How confusing can it be?? ðŸ™‚ So let’s move on to something just as arguably indefinable, country. You’ll hear all kinds of discussions about country and what it is or should be! Twenty years ago when I went into a recording studio with my acoustic guitar, the studio engineers called me country. They hadn’t even heard my songs, yet because I had an acoustic guitar, that automatically made me a country artist! Country & Western was what I assumed country music to be, including artists like Hank Snow, George Jones and Patsy Cline. But in the last 10 or 15 years, it has also branched off into many directions. When country became more “mainstream” or more populist, the pop sound started to invade the more traditional sound of country music. Now you’ll find many different branches of this genre as well:

Alternative Country | Alternative Country Rock | Bluegrass | Country Folk | Country Pop | Fusegrass | Honky Tonk | New Contemporary Country | Outlaw Country | Progressive Country | Traditional Country | Western Swing

Country/Pop, contrary to what you might think, began back in the 50’s and was originally dubbed the “Nashville Sound” and included artists such as Willie Nelson, Kitty Wells, Crystal Gayle and Kenny Rogers. Today, groups and artists like the Dixie Chicks, Tim McGraw and Kenny Chesney are country stars, incorporating a “pop” sound in their music.

So is there any genre left in its pure state? I suppose the argument could be made that the only western “traditional” music left is classical and Native Indian! A recent PBS series by Ken Burns on blues music, showed how even it originally came from the slaves in Africa who chanted hymns and made up working songs as they worked long, hard hours for American slave owners. But the blues is considered by many to be American in its roots.

Occasionally, you’ll hear the term crossover which means that a song could be considered in more than one genre. This is particularly applicable to ballads…a country version and a rock version of the same ballad could be hits for different artists. The only elements that would separate them would be the arrangement and instrumentation!

The fact is that your music is often defined by the artists you were influenced by. Although it can feel like defeat to have to describe your music by naming more famous artists and bands, it really has a purpose! Most people want to know what they can expect from you as a songwriter or an artist, so don’t resent this requirement too much. Many of us write in more than one style too! As a songwriter, this can certainly work in your favour when you are trying to pitch to different publishers and artists. As an artist, it means you are diverse!

Don’t be adverse to the idea of studying genres in order to better define what yours is (or are!). I’ve heard many artists or bands who try to create a NEW genre just to make themselves stand out, only to find that they sound exactly like someone else! As an artist you can get away with this in your promotional material as a way to create a buzz for yourself, but as a songwriter, you will have to fit in more with traditional genres. As Bruce Hornsby says “That’s just the way it is…” ðŸ™‚

IJ