Wednesday, February 3, 2010

“Ear” We Go Again

Men At Work

Now this one baffles me somewhat.  Quoting from the Associated Press:

“Australian band Men at Work copied a well-known children’s campfire song for the flute melody in its 1980s hit “Down Under” and owes the owner years of royalties, a court ruled Thursday.

Kookaburra Sits in the Old Gum Tree” was written more than 70 years ago by Australian teacher Marion Sinclair for a Girl Guides competition, and the song has been a favorite around campfires from New Zealand to Canada.”

You can read the rest of the article here.

I didn’t have to listen to “Down Under” to remember the flute part.  If you don’t know the song (you DON’T know the song??) you can have a listen below.  The flute part appears several times in the song.  Yes, it’s the same melody over a different chord progression.  I never made the connection before, however, and I know both songs.

What I find most baffling is that the whole thing is coming out just now, even though “Down Under” was released in 1981, 29 years ago.  Did it take 29 years to get to court?  The Australian teacher who wrote “Kookaburra” 70 years ago died in 1988, and her publishing company owns the copyright to the song.  So it’s not even that this settlement will benefit her family, as copyright usually reverts to the estate of a songwriter for a period of time after their death;  only the publishing company will make money. Not only that, but when they go back to court in April to decide compensation, the publishers are going to demand up to 60% of the back royalties.  Does 4-bar flute part in a 4 minute song deserve 60% of the royalties?  It all seems frivolous and greedy to me. I don’t know…I’d feel better if it was the teacher or her family that was going to get the money. 

IJ

Saturday, January 30, 2010

The 10 Worst Covers Ever

Okay, I’m exaggerating somewhat.  “Worst ever” is always a subjective thing, and you’ll probably disagree with some of my choices.  But I do know a thing or two about covers.  I have performed original material and I have performed many covers over the years.  I teach guitar, so I play other artist’s and band’s songs all the time.  Most people want to play a song exactly as they remember it, and why not?  That’s what they have heard and loved.

What makes a great cover, in my humble opinion, is an artist or a band that makes the song their own.  This is not an easy task.  To make a song your own, you have to have some element that stays true to the original.  Like, it should be recognizable :-).  But then you have to make it better.  And that’s the hard part.  Some artists and bands just play it their own way and it works.  But others over do the “original” idea and ruin the song all together.  The worst, however, is when a band or artist stays too true to the original.  If you’re going to do that, why bother?

I will probably post a list of my favourite covers in future, but for the time being, here is my list of covers that didn’t do it for me.  Below you can listen to each version and judge for yourself.

Sweet Dreams – Marilyn Manson – Oh my.  If ever a song was butchered, this is the one.  But I think that’s what sweet Marilyn wanted, didn’t he?  Why Annie ever let him (or her) do it, I’ll never know.

Saturday Night’s Alright For Fighting – Nickelback – there’s a “love to hate Nickelback” thing going on here in Canada.  I don’t mind them.  But the song simply has too many chords for these guys to handle.  Not power chords, guys, actual chords.  I originally heard this at a hockey game and I was completely dismayed.  It was even more disappointing to find out that a Canadian band was responsible.

Love Hurts – Nazareth – I have never liked this song, no matter how many times I’ve heard it.  The howling lead vocal just destroys an otherwise lovely melody.  Sorry.

California Girls – David Lee Roth -again, another terrible vocal.  I can’t help but see self-involved David Lee prancing around on stage in his lycra pants every time I hear it.  No wonder Van Halen got rid of him :-).  But all kidding aside, the original had a lot of vocals and I really don’t think it was meant to be a solo.  Definitely loses something in the translation.

Beast of Burden – Bette Midler I love Better Midler but I’ve never understood why she recorded this song.  Was it just filler?  It didn’t suit her voice or style at all.  She tries to get down and growly, but that only makes it worse.

My Way – Sex Pistols No.

Superstition – Jonas Brothers Okay, let’s face it, no version of Superstition can live up to Stevie Wonder‘s version. The Jonas Brother’s performing with Stevie himself on an awards show, however, was so awful, I wondered why Stevie even said yes.  Little boys trying to sing such a ballsy song just doesn’t work.  Stick to the pop/rock, fellas.

Slow Hand – Conway Twitty – the twang in his vocal just doesn’t suit the bluesy original by the Pointer Sisters.  And somehow the idea of a country guy singing about…well, how to pleasure a woman…feels somehow yucky.  It just ain’t right.

Superstar – Sonic Youth – I almost get what this version was trying to accomplish. It was trying to be dark and even a little weird. And it was. But not a good weird.

Dock of the Bay – Michael Bolton  Michael Bolton, I think, prides himself on being a great soul singer.  And he is.  But he did a re-make of just about every soul song out there, and it was too much.  He should have stayed with newer, more original material like the songs he sang the demos for, for so many years.

What do you think?  Disagree with me??  I’d be happy to hear your comments :)

IJ

Thursday, January 28, 2010

Black-Eyed Peas and Plagiarism

For the second time in a year, the Black-Eyed Peas face a possible legal action because of plagiarism.  In this particular case, it’s hard to imagine how the BEP’s DIDN’T hear this original song by Phoenix Phenom, who submitted the song to executives at Interscope Records which happens to be the Black-Eyed Peas record label.  Have a listen to Phoenix Phenom’s (her real name is  Ebony Latrice Batts) original song:
 

And now, here’s the Black-Eyed Peas song “Boom Boom Pow”, which was a huge hit for them:


At the risk of getting into trouble, here’s a section of the lyrics from Boom Dynamite:

I got that boom dynamite, I make it bang all night
I got that boom dynamite, I make it bang all night
I got that boom boom boom boom boom
I got that boom boom boom boom boom

What you got that I ain’t got (nothing)
I could make it shake when the beat drops (money)
Is what ya’ll say when you hear this
Fear this cause you’ll never come near this
All the boys wanna tap tap tap
Flosin’ jewels with the rap rap rap
They like the bus downs with the clap clap clap
But this right here snap snap snap
(I got that thang) I got that thang (thang)
That make ’em mine
I try to take it to take it to the floor but they cant handle (no they cant handle)
Ya’ll cant pop (pop) pop
You cant drop (drop) drop
I’m like a beat 52 I’m coming for you

And an excerpt from the Black-Eyed Peas version:

Boom boom boom, now
Boom boom boom, now
Boom boom pow
Boom boom

Yo, I got that hit that beat the block
You can get that bass overload
I got the that rock and roll
That future flow

That digital spit
Next level visual shit
I got that boom boom pow
How the beat bang, boom boom pow

I like that boom boom pow
Them chickens jackin’ my style
They try copy my swagger
I’m on that next shit now

I’m so 3008
You so 2000 and late
I got that boom, boom, boom
That future boom, boom, boom
Let me get it now

The lyrics are not exactly the same…the subject matter is similar.  The rhythm and lyrical meter in each song are definitely similar, and the line “I got that boom…” is certainly the same.  My guess would be that Phoenix Phenom would be able to show that the Black Eyed Peas had exposure to the song because she brought it to their record label, which is quite often what it comes down to in a plagiarism suit.  And because she would have a good case, the Peas and their record label would be forced to settle.

It’s never worth copying anything…even if it was unintentional, you would think that someone would have picked up on it somewhere down the pike.

Update Oct.30/2010 – Another plagiarism suit against the Black Eyed Peas.  This time it’s from Bryan Pringle, whose song “Take A Dive” was submitted to the same record company, Interscope Records, and shows a copyright date of 1998.  I’m thinking that maybe this has been a pattern with the label, just use old songs that were submitted and make them into hits.  Read more here…

IJ